The weekend delivered a muted frame, with the top fifteen combining for £9,481,434. That marks a 16% fall from last weekend and places this session as the 4th lowest‑grossing weekend of the year. A trio of new releases added breadth to the chart, though none arrived with breakout force, leaving the market dependent on a mix of steady holdovers and long‑running performers

The weekend delivered a muted and noticeably compressed frame, with the top fifteen combining for £10,976,221. That marks a 26% fall from last weekend and places this session as the 7th worst of the year. The market leaned heavily on two new openers to provide shape, while several holdovers continued to inch toward meaningful milestones despite the overall downturn.

A fourteen‑year journey of escalating scale, cultural dominance and unprecedented commercial reach. Across four phases of the Marvel era, the Avengers franchise has become one of the most powerful and reliable engines of UK event cinema. From the breakthrough of Avengers Assemble

The weekend delivered a buoyant and expanded frame, with the top fifteen combining for £13,807,924. That marks a 16% rise from last weekend and places this session as the 20th best of the year. The market was energised by a trio of new releases that arrived with meaningful scale, while several holdovers continued to carve out notable year and all time placements.

Aardman Animations has always occupied a singular place in British cinema. Its films do not chase spectacle or scale. They chase warmth, craft and a sense of British identity that audiences recognise instantly. From the runaway success of Chicken Run to the enduring affection for Wallace and Gromit, Aardman has built a theatrical legacy defined not by size but by character.

The weekend delivered a steady and elevated frame, with the top fifteen combining for £11,652,119. That marks a 2% rise from last weekend and places this session as the 28th best of the year. The market was driven decisively by one major new opener, with Resident Evil alone accounting for 36% of the entire top fifteen. Several fresh titles added breadth to the chart, while a handful of holdovers continued to build noteworthy all time and year specific placements.

For nearly twenty five years, the Resident Evil films have grown from a modest videogame adaptation into one of the most enduring presences in modern action horror. What began as a modest early 2000’s videogame adaptation grew into a long running cycle of industrial dread, apocalyptic spectacle and globe spanning chaos. The series has survived changes in audience taste, shifts in horror fashion, the rise of prestige titles, the arrival of streaming dominance and the recent re

The weekend delivered a buoyant and much‑needed upswing, with the top fifteen combining for £11,454,509. That marks a 36% rise from last weekend’s muted frame and places this session as the 28th best weekend of the year.